What is theater convention in drama

Role Subject and Drama

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European theater convention in the text

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Funny or serious old people, schemers, first and second lovers, character actors, German-French and soubrettes - the role-subject system structures European theater practice from the 17th to the 19th century and also has a significant impact on contemporary drama production. This applies to the daily production of Iffland, Kotzebue and Schröder as well as to ...
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Funny old people, schemers, first or second lovers and the German-French - the role-subject system structures European theater practice from the 17th to the 19th centuries and also has a significant impact on contemporary drama production. The anthology examines the importance of this theater convention for German-language drama in the European context.

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Funny or serious old people, schemers, first and second lovers, character actors, German-French people and soubrettes - the role-subject system structures European theater practice from the 17th to the 19th century and also has a significant impact on contemporary drama production. This applies to the daily production of Iffland, Kotzebue and Schröder as well as to canonical dramas by Lessing, Goethe and Schiller. The anthology explores the question of the importance of the role subject system for German-language drama in the European context. In addition, there are analyzes of selected French and English-language theater plays. In general, a correlation between drama text and contemporary theater practice can be assumed. The literary and theatrical studies in the volume examine from a historical perspective how the plays relate to this fundamental theater convention. This volume would like to encourage you to take a new look at the research field role subject after a good hundred years.